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Syrinx

Claude Debussy

Our musical journey commences with Sonja Vasic’s spellbinding solo flute performance of Claude Debussy’s, Syrinx, a piece he composed to tell the story from Greek mythology of the nymph Syrinx. In the story, Syrinx, a beautiful water nymph, is noticed by the god Pan, who was famously lustful and half-man/half-goat. Upon seeing her, Pan is immediately struck by her beauty and begins to pursue her. To avoid him, Syrinx transforms herself into reeds to escape, and Pan, heartbroken, cuts the reeds to make the first panpipes, forever capturing her sound in the instrument. 

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The piece evokes Pan's frustrated lust, longing, and sorrow, representing his unrequited love and acceptance of her transfiguration into music, not flesh, creating a foundational work for modern flute literature. Debussy’s chromaticism and fluid phrasing weave a haunting, evocative soundscape that captures the pastoral serenity of the myth while embodying the elusive, fleeting nature of Syrinx herself. The flute’s sinuous melodies drift like a dream, blurring the lines between reality and myth and inviting listeners into a realm of ethereal beauty and fleeting visions.

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Schrezo from A Midsummer Night's Dream

Felix Mendelsshon

Mendelssohn’s Scherzo from A Midsummer Night’s Dream, a sprightly score composed for Shakespeare’s beloved play, evoking Puck’s playful pranks in the enchanted forest. Its buoyant beats and sparkling staccato conjure images of darting fairies and moonlit mischief, mirroring the capricious charm of dreams where romance and revelry intertwine.

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Birds

Herman Beeftink

originally composed as a flute trio and re-imagined this afternoon for flute, violin, and cello. Birds unfolds in three movements—Birdsong, Flight, and Journey—that vividly evoke avian adventures through intricate, imitative textures and soaring melodic lines. As you listen, let it transform you into a nocturnal wanderer of the subconscious, where birdsong becomes the language of reverie, flight frees the imagination, and the journey mirrors the fluid, transformative paths of dreamscapes. Through its ethereal timbres and narrative arc, Birds invites us to dream of boundless skies and whispered secrets of the wild.

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Après un Rêve

Gabriel Fauré

In this song, the speaker awakens from an ecstatic dream of love and light, only to find themselves returned to the solitude of waking life. Fauré’s flowing harmonies and long, suspended phrases capture the bittersweet ache of longing that follows beauty once it fades. The music hovers between fulfillment and loss, reflecting the way dreams often linger as both comfort and sorrow.

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Dream With Me

Leonard Bernstein

Next is a tender and lyrical song from Leanord Bernsten’s Dream With Me, composed for the Broadway production Peter Pan. Dream With Me is sung by Wendy, the young girl who joins Peter in Neverland, as a gentle lullaby that reflects her longing for connection amidst the fleeting magic of childhood. The song is filled with innocence and unspoken longing. Its gentle melody evokes the bittersweet charm of childhood dreams and the desire to remain connected even when separation is inevitable.  The song’s melody is simple yet poignant, with a flowing, almost improvisatory quality that evokes a sense of wistful dreaming.Bernstein’s signature warmth invites us into a dream where distance is softened by shared imagination.

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Dream with me tonight.

Tonight and every night,

wherever you may chance to be.

we're together, if we dream

the same sweet dream.

And though we may be far apart,

Keep me in your heart

And dream with me.

The kiss we never dared

We'll dare in dreaming

The love we never shared

Can still have meaning.

If you only dream a magic dream

With me tonight

Tonight and every night

Wherever you may chance to be

Close your lovely eyes and dream with me.

 

The kiss we never dared

We'll dare in dreaming

The love we never shared

Can still have meaning.

If you only dream a magic dream

With me tonight

Tonight and every night

Wherever you may chance to be

Close your lovely eyes and dream with me.

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Quiet Nights of Quiet Stars

Antonio Carlos Jobim

Famously associated with Frank Sinatra and composed by Antonio Carlos Jobim, set to lyrics by Gene Lees. In contrast to the yearning of the previous songs, this piece offers stillness and repose. Set against the calm of night, its lush harmonies and intimate tone create a dreamlike sanctuary where love feels close and enduring. Here, the dream is not fleeting, but gently sustained—an oasis of peace beneath starlit skies.

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Ballade

Charles-Édouard Lefebvre

We continue now with Lefebvre’s Ballade for Flute, Cello, and Piano, Op. 37, a lyrical work that unfolds like a spoken story. Its expressive lines and sweeping gestures evoke the emotional contours of memory and imagination, where past and present blur together in a dreamlike narrative.

Serenade

Laura Netzle

This sense of flowing reflection carries into Netzle’s Serenade for Piano Trio, Op. 50. Graceful and expansive, the Serenade captures the gentle unfolding of thought and feeling, echoing the way dreams often linger—unhurried, introspective, and subtly transformative.

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Anchor 8

Op. 100

Amy Beach

Amy Beach’s Op. 100 comprises two evocative songs for soprano, violin, cello, and piano—"A Mirage" and "Stella Viatoris." These songs weave her lush Romantic style with poetic imagery. The first, “A Mirage” is set to text by the poet, B. Ochsner. The poem begins by describing purple mountaintops rising through a mist of silver clouds under the moon, which shines like a ghost in the pallid heavens through the evening shadows. The second stanza depicts a lofty eucalyptus stretching toward the heavens with drowsy westwind, sighing the theme of lamentation, depicting echoes of a heart’s unfulfilled longing.

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Stella Viatoris begins with a mystical flurry of sound from the instruments, setting the stage for the Soprano to appear dazzlingly in the song with a whisper about the sky growing dark. The music winds on as the Soprano finds her way through moaning winds, past bare trees plying futile, weaving sadly and slowly, continuing on the theme of sad lamentation introduced in the first song, A Mirage. Stella Viatoris begins to gain energy with the wandering soprano until the text interjects a gripping “But.” But: that arresting word! But what? The text continues that over the east, the grim clouds part, a fleece of white, revealing a space of blue. With the music we feel the growing excitement: Aloft, afar! There’s a single shining star! The music accelerates to a grand climax in which the Soprano declares that the star is like “the kindness of God shining through.” 

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Amy Beach was an active member of the St. Bartholomew's Episcopal Church in New York City and, like many composers, wrote music inspired by her faith. During my university music studies, my cello professor would always tell me that music has the ability to connect people to the divine. I don’t think my teacher was a particularly religious person. But this lesson she taught has remained with me and rung true in my experience both as a musician, teacher and audience member. I have fond memories of sitting in concert halls, allowing my heart and mind to wander, taking the chance for spiritual introspection, as I listened to live performances. Please allow me to invite you to do the same now. Life is full of dark lamentations. But tonight, may you feel the kindness of God shining through to you. 

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A Mirage
Text: Bertha Ochsner 

Now the mountaintop all purple 
Rises thro’ a mist of silver 
While the moon, a disc of cobwebs
Shining in the pallid heavens
Ghostlike thro’ the evening shadows

Now the lofty eucalyptus 
Stretches forth its chalky branches 
Toward the lovely, lustered heavens
While the drowsy westwind sighing 
Sings the theme of lamentation
 


Stella Viatoris
Text: Jessie Hague Nettleton

Dun grows the sky
The cloudrak dark
In the west hangs low

The wind moans by
The bare trees ply their futile weaving 
Sad and slow 
But o’er the east
The grim clouds part
A fleece of white
A space of blue 
Aloft, afar
There’s a single star
Like the kindness of God
Shining thro’

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